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News


Quality of the News

What is good news and bad news i.e. representative and unrepresentative news. A key point is that news should provide you with all the information you need to make your own decision, it should not project opinion nor present unsubstantiated fact as unqualified fact. The FT appears to do this when it describes Julian Assange in an article titled Online leaks: A digital deluge  by Richard Waters Published: July 30 2010 22:06, as follows;

An anti-establishment computer hacker with the impulses of a radical libertarian, he has both the skill-set and the desire to wreak havoc.

For some guidence on these matters see How to Recognize Bias in a Newspaper Article.

The following short film lectures entitled "Choose Your News" on the media cover most of the important topics, and the completeness of them compensates for the lack of colour in narrative style.
part 1 of 7 - template editing
part 2 of 7 - newspaper bias
part 3 of 7 - television
part 4 of 7 - radio & books
part 5 of 7 - academia & think tanks
part 6 of 7 - government sources & independent media websites
part 7 of 7 - file sharing & campaign groups

Death of Newspapers


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The Propaganda Machine

The CIA press budget acording to estimates in this film was $1.5bn in 1978 and $10bn in 1882! 

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John Pilger - The Invisible Government

Another interesting view from John Pilger. What is odd is that when Part 1 completes we are offered porn films. It is questionable how such links could possibly exist!

The Invisible Government

by John Pilger

I wasn't going to mention The Green Berets when I sat down to write this, until I read the other day that John Wayne was the most influential movie who ever lived. I a saw the Green Berets starring John Wayne on a Saturday night in 1968 in Montgomery Alabama. (I was down there to interview the then-infamous governor George Wallace). I had just come back from Vietnam, and I couldn't believe how absurd this movie was. So I laughed out loud, and I laughed and laughed. And it wasn't long before the atmosphere around me grew very cold. My companion, who had been a Freedom Rider in the South, said, "Let's get the hell out of here and run like hell."

We were chased all the way back to our hotel, but I doubt if any of our pursuers were aware that John Wayne, their hero, had lied so he wouldn't have to fight in World War II. And yet the phony role model of Wayne sent thousands of Americans to their deaths in Vietnam, with the notable exceptions of George W. Bush and Dick Cheney.

Last year, in his acceptance of the Nobel Prize for Literature, the playwright Harold Pinter made an epoch speech. He asked why, and I quote him, "The systematic brutality, the widespread atrocities, the ruthless suppression of independent thought in Stalinist Russia were well know in the West, while American state crimes were merely superficially recorded, left alone, documented." And yet across the world the extinction and suffering of countless human beings could be attributed to rampant American power. "But," said Pinter, "You wouldn't know it. It never happened. Nothing ever happened. Even while it was happening it wasn't happening. It didn't matter. It was of no interest." Pinter's words were more than the surreal. The BBC ignored the speech of Britain's most famous dramatist.

I've made a number of documentaries about Cambodia. The first was Year Zero: the Silent Death of Cambodia. It describes the American bombing that provided the catalyst for the rise of Pol Pot. What Nixon and Kissinger had started, Pol Pot completed—CIA files alone leave no doubt of that. I offered Year Zero to PBS and took it to Washington. The PBS executives who saw it were shocked. They whispered among themselves. They asked me to wait outside. One of them finally emerged and said, "John, we admire your film. But we are disturbed that it says the United States prepared the way for Pol Pot."

I said, "Do you dispute the evidence?" I had quoted a number of CIA documents. "Oh, no," he replied. "But we've decided to call in a journalistic adjudicator."


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